This article aims to carry out a study on the production of cartoonist Mariza Dias Costa from a feminist genealogical perspective. Understanding that women's memory is fragmented and mediated by patriarchal structures, therefore unequal and unfair, this text proposes to take a historical look at Mariza's work, systematizing her graphic work published in newspapers and magazines, as well as carrying out an extensive bibliographical review in search of documentary traces. Through this investigation I seek to shed light on other histories of graphic humor and comics in Brazil, capable of recognition when gender emerges as an analytical category.
Keywords:
Women artists; Feminist genealogy; Graphic humor; Comics; Gender