Dreams: discourse and writing

Abstract

In 1932, the aftermath of a child's first sexual experiences leaves painful scars of angst, repression, deception and guilt. Pain and displeasure had ceased to be warnings to become goals in themselves. With "Beyond the Pleasure Principle" a not-so-repressed unconscious mind emerges and closes the gap between the audiovisual memories from beforehand. Through dreams it is possible to activate these audiovisual memories, the treasure of the mother tongue, or "heritage", which is only registered in privileged moments in analysis, because it is acquired contingently: a mark that is not meant for all.

Dream; Memories; Mother tongue