| 1 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech and stuttering works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
|
● Definition of Stuttering; |
|
● Actions that affect stuttering positively or negatively; |
| ● To learn how to make smooth and continuous articulatory contact point (Fluency Modeling) |
● Conceptualization of Difficult Speech and Easy Speech; |
| ● Characteristics of negative speech and practice (100% tension, 50% tension, and smoothed) with a ball: picture naming |
| 2 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech and stuttering works |
● Breathing exercises; |
| ● To simplify stuttering and get up-to-date scientific information |
● Orofacial motricity exercises; |
| ● To perceive different ways of producing speech (Awareness) |
● Dynamics: Speech Machine; |
|
● Dynamics: Machine failing |
|
● Myths and Truths about Stuttering |
| ● To learn how to make and use smooth and continuous articulatory contact point (Fluency Modeling) |
● Characteristics of negative speech and practice (100%, 50%, and smoothed) with a ball: |
| o Picture naming; |
| ● Reading word lists looking in the mirror and looking at the therapist. |
| 3 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech and stuttering works |
● Breathing exercises; |
| ● To perceive different ways of producing speech (Awareness) |
● Orofacial motricity exercises; |
|
● Dynamics: Crazy Speech; |
| ● To learn how to make and use smooth and continuous articulatory contact point (Fluency Modeling) |
● Characteristics of negative speech and practice (100%, 50%, and smoothed) with a ball: |
| o Own name; |
| o Other names, other naming and brainstorming. |
| 4 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech and stuttering works |
● Breathing exercises; |
| ● To simplify stuttering and get up-to-date scientific information (Awareness) |
● Orofacial motricity exercises; |
|
● Myths and Truths about Stuttering; |
| ● To know and reduce negative emotions (Desensitization) |
● Dynamics: Stuttering Iceberg |
| ● To learn how to make and use smooth and continuous articulatory contact point (Fluency Modeling) |
● Characteristics of negative speech and practice (100%, 50%, and smoothed) with a ball: |
| ● Other names, other naming and brainstorming. |
| 5 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech and stuttering works |
● Breathing exercises; |
| ● To perceive tension points (Awareness) |
● Orofacial motricity exercises; |
|
● Perception of speech tension points; |
| ● To learn how to make and use smooth and continuous articulatory contact point (Fluency Modeling) |
● Perception of Easy Speech / Normal Speech / Difficult Speech; |
| ● Characteristics of negative speech and practice (smoothed) with a spring: |
| ● Repetition of sentences. |
| 6 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech and stuttering works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
| ● To know and reduce negative emotions (Desensitization) |
● Good and bad thoughts related to stuttering; |
| ● To learn and use smooth and continuous articulatory contact point (Fluency Modeling) |
● Characteristics of negative speech and practice (smoothed) with a spring: |
| o Repetition of sentences; |
| o Reading sentences looking in the mirror and looking at the therapist. |
| 7 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech and stuttering works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
| ● To know and reduce negative emotions (Desensitization) |
● Role-playing everyday situations; |
| ● To learn and use smooth and continuous articulatory contact point (Fluency Modeling) |
● Characteristics of negative speech and practice (smoothed) with a spring: |
| o Reading sentences looking in the mirror and looking at the therapist; |
| o Complete ready-made sentences with figures from the deck; |
| o Create spontaneous sentences with figures from the deck. |
| o Connected speech training with line. |
| 8 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech and stuttering works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
| ● To learn and use smooth and continuous articulatory contact point (Fluency Modeling) |
● Characteristics of negative speech and practice (smoothed) with a spring: |
| o Complete ready-made sentences with figures from the deck; |
| o Create spontaneous sentences with figures from the deck. |
| o Role-playing conversations with the line. |
| 9 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech and stuttering works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
| ● To learn and use smooth and continuous articulatory contact point (Fluency Modeling) |
● Communicative Skills Training: Waiting Time (2”), Communicative Turn and Eye Contact: |
| ● To develop skills that promote good communication, promoting self-confidence and security, integrating them with smoothing (Communicative Skills) |
o Picture naming; |
|
o Reading word lists looking in the mirror and looking at the therapist. |
| 10 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech and stuttering works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
| ● To learn and use smooth and continuous articulatory contact point (Fluency Modeling) |
● Communicative Skills Training: Waiting Time (2”), Communicative Turn and Eye Contact: |
| ● To develop skills that promote good communication, promoting self-confidence and security, integrating them with smoothing (Communicative Skills) |
o Own name; |
|
o Other names, other naming and brainstorming; |
|
o Repetition of sentences looking in the mirror and looking at the therapist. |
| 11 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech and stuttering works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
| ● To accept the presence of stuttering and learn to use strategies to change it (Stuttering Modification) |
● Volunteer Stuttering Training: |
| o Picture naming; |
| o Own name; |
| o Formulation of sentences. |
| 12 |
● To facilitate voice production |
● Body relaxation; |
| ● To understand how fluent speech works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
| ● To learn and use smooth and continuous articulatory contact point (Fluency Modeling) |
● Communicative Skills Training: Waiting Time (2”), Communicative Turn and Eye Contact: |
| ● To develop skills that promote good communication, promoting self-confidence and security, integrating them with smoothing (Communicative Skills) |
o Other names, other naming and brainstorming; |
|
o Repetition of sentences looking in the mirror and looking at the therapist; |
|
o Description of the characteristics, parts and functions of objects. |
| ● To accept the presence of stuttering and learn to use strategies to change it (Stuttering Modification) |
● Volunteer Stuttering Training: |
| ● Picture naming; |
| 13 |
● To facilitate voice production |
● Mouth relaxation; |
| ● To understand how fluent speech works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
| ● To accept the presence of stuttering and learn to use strategies to change it (Stuttering Modification) |
● Volunteer Stuttering: |
| o Picture naming; |
| o Own name; |
| o Formulation of sentences; |
| o Repetition of sentences looking in the mirror and looking at the therapist. |
| 14 |
● To facilitate voice production |
● Mouth relaxation; |
| ● To understand how fluent speech works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
| ● To accept the presence of stuttering and learn to use strategies to change it (Stuttering Modification) |
● Cancellation and Skipping |
| o Picture naming; |
| o Own name; |
| o Reading word lists looking in the mirror and looking at the therapist. |
| 15 16, 17,18 and 19 |
● To facilitate voice production |
● Mouth relaxation; |
| ● To understand how fluent speech works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
| ● To use stuttering modification techniques associated with skills that promote good communication, integrating them with smoothing (Fluency Modeling, Stuttering Modification and Communicative Skills) |
● Waiting Time Training (2”), Communicative Turn, Eye Contact and Cancellation and Skipping Techniques: |
| o Picture naming; |
| o Own name; |
| o Reading word lists looking in the mirror and looking at the therapist. |
| o Formulation of sentences. |
| 20, 21 and 22 |
● To facilitate voice production |
● Mouth relaxation; |
| ● To understand how fluent speech works (Awareness) |
● Breathing exercises; |
|
● Orofacial motricity exercises; |
| ● To use stuttering modification techniques associated with skills that promote good communication, integrating them with smoothing (Fluency Modeling, Stuttering Modification and Communicative Skills) |
● Communication Skills Training and Cancellation and Skipping Techniques; |
| ● Knowing and reducing negative emotions (Desensitization) |
● Role-playing everyday situations; |
| 23 |
● To facilitate voice production |
● Breathing Control; |
| ● To maintain and use the strategies and fluency patterns obtained in previous sessions |
● Speech Training: |
|
o Reduction in the number of breaks per minute; |
|
● Perceiving the fluency; |
|
● Dealing with speech: |
|
o Aspects to remember; |
|
o Speech diary; |
|
o Warning the listener. |
| 24 |
● To facilitate voice production |
● Breathing Control; |
| ● To maintain and use the strategies and fluency patterns obtained in previous sessions |
● Speech Training: |
|
o Reduction in the number of breaks per minute; |
|
● Perceiving the fluency; |
|
● Controlling negative thoughts: |
|
o Bob and Ken story; |
|
o How to avoid negative thoughts; |
|
o Change Table. |
| 25 |
● To maintain and use the strategies and fluency patterns obtained in previous sessions |
● Speech Training: |
| o Reduction in the number of stuttering episodes per 5 minutes; |
| o Speech pause. |
| ● Keeping the fluency: |
| o What helps maintain fluency; |
| o How to deal with speech before, during and after stuttering. |
| ● Managing negative stress: |
| o Keeping a calm attitude; |
| o Looking after the environment; |
| o Taking care of comfort; |
| o Taking care of the health. |
| 26 |
● To maintain and use the strategies and fluency patterns obtained in previous sessions |
● Speech Training: |
| o Reduction in the number of stuttering episodes per 5 minutes; |
| o Speech pause. |
| ● Facing the phone training in therapy: |
| o Phone call simulation. |
| 27 |
● To maintain and use the strategies and fluency patterns obtained in previous sessions |
● Speech Training: |
| o Reduction in the number of stuttering episodes in the conversation; |
| o Speech rate control. |
| ● Facing the phone: |
| o Phone call to acquaintances. |
| 28 |
● To maintain and use the strategies and fluency patterns obtained in previous sessions |
● Speech Training: |
| o Reduction in the number of stuttering episodes in the conversation; |
| o Speech rate control. |
| ● How to control tension; |
| o Alone |
| o While standing in a public place; |
| o While sitting in public places. |
| ● Facing the phone: |
| o Phone call to acquaintances; |
| o Phone call to strangers. |
| 29 |
● To maintain and use the strategies and fluency patterns obtained in previous sessions |
● Simulation of tension control: |
| o Alone |
| o While standing in a public place; |
| o While sitting in public places. |
| ● Conversation about preventing relapses in speech control; |
| ● Facing the phone: |
| o Phone call to acquaintances; |
| o Phone call to strangers. |
| 30 |
● To collect data for evaluation after intensive care |
● Speech Sample Collection; |
| ● OASES-A questionnaire application; |
| ● Final guidance; |
| ● Analysis of speech samples of the patient pre- and post-therapy: |
| ● Self-assessment. |